‘When I Lose This Tooth, I’ll Age Twenty Years in Half an Hour’
Why do I laugh? At the truth about her tooth,and immediately I know I will put it in a poem,
but am cautious about rhyming tooth with truth.
Should I extract truth? And immediately
I am cautious about punning. And look at
how far the truth has stretched from the tooth –
how this woman's remaining front tooth
is somehow a precarious totem for her youth
(I am less cautious about rhyming tooth with youth)
which hangs by a thread, and immediately I am cautious
about cliché (but I do like totem) And later, I read
malocclusion in a poem by another poet, and plan
to include, and immediately I am cautious
about plagiarism. And I think back to the inspiration
for the idea of a poem over a dinner of pizza
with a stone-baked crust, which she could not eat,
and how the inspiration immediately took me away
from the immediacy of the brilliance of her line,
When I lose this tooth, I’ll age twenty years in half an hour.
And immediately, I am bored of that line, and perhaps
not immediately (who can ever say when?) I think,
Why half an hour? When I re-write this line, it will read,
When I lose this tooth, I’ll age twenty years in half a second.
And immediately I am cautious that in the future,
just as there will be no tooth, there will be no poem.
Lisa Kelly is half Danish and half deaf. She is Chair of Magma Poetry and co-edited ‘The Conversation Issue’ and ‘The Deaf Issue’. She hosts poetry evenings at the Torriano Meeting House, London. Her pamphlet Bloodhound is published by Hearing Eye and work has appeared in PN Review, Ambit, Antiphon, The Spectator, South Bank Poetry, The Rialto, Prole, Urthona, Brittle Star and Tears in the Fence. Anthologies include Asterism; and Stairs and Whispers: D/deaf and Disabled Poets Write Back. A selection of poems feature in Carcanet’s New Poetries VII. Her pamphlet, Philip Levine’s Good Ear (Stonewood Press) is forthcoming 2018.